On Friday November 21st, I joined three ladies from our church for a trip to Spokane to hear Handel’s Messiah performed by Spokane Symphony and Chorale. The Performance by the orchestra and chorale was hosted by the Cathedral of St. John the Evangelist.

Handel’s Messiah is an oratorio that tells the story of Jesus Christ through three parts: his birth and miracles, his passion and death, and his final glorification in heaven. Composed rapidly in 24 days by George Frideric Handel in 1741, the work uses verses from the King James Bible. Charles Jennens wrote the libretto, or text, (not Handel) comprising passages from the Bible. It premiered in Dublin in 1742 as a benefit concert and has since become a holiday staple known for its religious narrative and powerful choruses, like the famous “Hallelujah” chorus.

Messiah was originally conceived as a work for Easter, and its world premiere was given during Lent.

In July of 1741, Charles Jennens, who had written the libretti for two of Handel’s oratorios wrote the following in a letter to a friend–the earliest mention of Messiah:

“Handel says he will do nothing next Winter, but I hope that I shall persuade to set another Scripture collection I have made for him, and perform it for his own Benefit in Passion week. I hope that he will lay out his whole Genius and Skill upon it, that the Composition may excell all his former Compositions, as the Subject excells every other Subject. The Subject is Messiah…”Few masterworks of Baroque music can rival Handel’s Messiah for its eternal popularity.”

We found our general admission seats and then we wandered about the cathedral which included climbing the spiral staircase to the gallery below the Rose window and some of the pipes of the organ.

While Messiah is a large-scale oratorio that takes almost 3 hours to perform in its entirety, it is not Handel’s longest work.

Few masterworks of Baroque music can rival Handel’s Messiah for its eternal popularity.

The U.S. premiere of the complete Messiah was performed by the Handel and Haydn Society on Christmas Day in 1818 at Boylston Hall in Boston.

I’m adding a couple YouTube videos to give you a hint of what we heard.

No. 17. Chorus: Glory to God

The presentation we enjoyed did not perform all 53 movements in the original Messiah but performed 45 of the 53. The Hallelujah Chorus is movement #44.

The performance on Friday did end with the last movement, No. 53 Chorus: Worthy is the Lamb that was slain.

Worthy is the Lamb that was slain, and hath redeemed us to God by His blood, to receive power, and riches, and wisdom, and strength, and honour, and glory, and blessing. Blessing and honour, glory and power, be unto Him that sitteth upon the throne, and unto the Lamb, for ever and ever. Amen. [Revelation 5:12, 13]

It was a grand location to enjoy this God honoring, Christ proclaiming Oratorio. Hallelujah to our Risen Savior!

I was thankful that Bethany drove for the majority of miles and that I only had about 5 miles to drive home at the end of our evening.  I pulled into our garage at midnight! That is late for me.

In October of 2017, Greg and I ventured off of our usual route from Kenmore to Colville to view this church. We were pleased to find the doors open so we could explore the inside of the church. Click here to see this beautiful cathedral and some of the stained glass windows.